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| Lady Carmoyle (Monica) | Edwina Cole |
| Lord Carmoyle (Rory) | Tim Smith |
| Jill Wyvern | Gill Murray |
| The Earl of Towcester (Bill) | Sean Tyler |
| Ellen | Dympna Swinney |
| Jeeves | Paul Pridmore |
| Mrs Spottsworth | Marion Hurley |
| Captain Blagden | Tony Norton |
| Wireless Commentator | Nigel Burt |
This was the twentieth play written by the partnership of Wodehouse and Bolton. P. G. Wodehouse was very forthcoming about how their partnership worked:
...what usually happens is that Guy comes to me and says he has a corking idea for a show. I say “Ah, yes?” and we sit down and work out the plot. This done, Guy starts writing and goes on writing till the thing is finished. But do not think I am idle while he is doing this. Twice or thrice a day – sometimes oftener – I look in and say: “How’s it getting on?” and he says: “All right,” and I say “Good. Good” And so, little by little and bit by bit, the work gets done...
And so they produced Come on, Jeeves. Bertie Wooster has gone back to college and has loaned his butler, Jeeves, to the Earl of Towcester. Jeeves has to act quickly when the Earl’s secret activity as a Turf Accountant, “Honest Patch Perkins”, comes to light
| Producer | Tim Smith |
| Director | Gill James |
| Prompt | Barbara Langrish |
| Props | The Cast |
| Costumes | Annie Stunnell and the Cast |
| Make-Up | Jacqui Morgan |
| Stage Construction | Peter Hurley and The Players |
| Lighting and Sound | David Stanger Adrian Plaw |
| Box Office | Sue Vaughan |
| Publicity | Sean Tyler |
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